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Another the uniqueness of Indonesia, now is not art or culture but rather typical of custom homes in the area of Indonesia. unique shape make this house a distinctive charm to attract tourists. form a unique and comfortable place to make tourists feel at home in Indonesia inhabit
Bergonjong roof has probably become the traditional architectural elements of the most popular throughout Indonesia, in addition to joglo. In almost all cities, we can find the model of traditional Minangkabau roof shaped like a buffalo horn is pointy.When the local architectural elements began to fade, the rampant use of the roof elements is interesting to observe bergonjong. If the building joglo-traditional Javanese architecture, became popular because there jawanisasi on government buildings in the New Order era, popular bergonjong roof over the restaurant field carried by the Minangkabau (Minang) overseas.As written by Hans-Dieter Evers and Rudiger Korff in his book Urbanism in Southeast Asia (2002), this bergonjong roof on the house was used only in highlands gadang Minangkabau. Never found in the coastal areas, especially in cities. Padang community located on the coast has its own type of traditional house, made of wood with spacious front porch and the roof straight (not bergonjong).But since the 1980s, government buildings in the center of government of West Sumatra was designed using a roof bergonjong. The investors who often become government partners are also asked to wear bergonjong roof on the building. Appeal on the use bergonjong roof was originally done by the Governor Aaron Zein in the era of the 1970s until the 1980s, with a passion for preserving traditional architecture.Now, almost all elements of urban buildings in Padang, such as government offices, post offices, hotels, and government banks or private, use a roof bergonjong race, except the mosque that almost no one wore bergonjong model.Outside of West Sumatra, bergonjong roof model was popularized by the
Minang people who wander in various cities of Indonesia, especially the open food stalls. In fact, up to foreign countries like Malaysia and Singapore though, the roof bergonjong characterizes desert diner-popular designation for the Minang.Hans-Dieter Evers and Rudiger Korff noted, each of the buildings built by man has a "meaning" and therefore he is a symbol. In this case, the roof bergonjong has become a symbol of the existence or identity of the Minang people. For example, with a glimpse of the roof bergonjong at a diner, people immediately know that it's the restaurant field.However, a question mark when the building joglo appear on government buildings in the outposts outside Java. Is there, it could signal the presence joglo Javanese or at least understand the meaning joglo in the tradition of leadership in Java?Plagiarized or find?Efforts to establish the identity of the Minangkabau roof bergonjong only just actually too simplistic wealth gadang architecture of the house, because the typical home gadang actually not only on its roof.Jacques Dumarçay in his book The House in South East Asia (1987) categorized his house or houses gadang Minangkabau (large) as part of the architecture of Dong Son (Vietnam). The roof of the house is usually composed of five layers or bergonjong limo, each interlocked. The walls were usually carved motif typical flora.Moreover, the space division system is also unique and a representation for the system of matrilineal Minangkabau culture. Gadang house serves as a large family residence and activity center of the blood and the collateral of the matrilineal relatives (mother of the family or elders), both for economic and social activities and cultural activities. Gadang home headed by a tungganai (mamak) and as a condition for the establishment of a village in Minangkabau.While it may succeed to the identity of the Minangkabau in the overseas, roof bergonjong used everywhere it's actually just duplicate the traditional forms into modern buildings. Duplication caused by stagnant realm of transformation from traditional to modern designs.Realm of architecture familiar with the term hybridization, or the incorporation of elements of architectural form-usually from a number of elements of different cultures and eras. Henri Maclaine-Pont is a Dutch architect working in the Netherlands East Indies (now Indonesia) in the first half of the 20th century-the most famous in hybridization efforts in the form of architectural heritage of the archipelago. He combines the shape and construction of Javanese and Balinese architecture with colonial architecture.One of Pont's work is the Hall Institute of Technology Bandung (ITB) in Bandung, which is still the most interesting part of this campus. In this work, Pont did not merely reproduce the roof joglo Javanese or Balinese bale. However, he managed to create buildings that fit comfortably the tropical climate and creating a new image of architecture Indies.
Pont began the project by reviewing building construction system in Java, then filed their own opinions about the construction system according to the values of modern technological. Based on this study explored the possibility of developing Pont Java system construction to accommodate the functions of the new building, the scale of new activities and new production methods.Pont did not escape the criticism. One criticism of him is the model that assessed pengkajiannya rely only on the shape and construction systems, thus ignoring the value of space itself.However, Pont has begun to make traditional architecture as an open text to be reviewed and interpreted in accordance with modern demands and environmental conditions. Of course, we do not want to just cheat on texts that have been there right?
Bergonjong roof has probably become the traditional architectural elements of the most popular throughout Indonesia, in addition to joglo. In almost all cities, we can find the model of traditional Minangkabau roof shaped like a buffalo horn is pointy.When the local architectural elements began to fade, the rampant use of the roof elements is interesting to observe bergonjong. If the building joglo-traditional Javanese architecture, became popular because there jawanisasi on government buildings in the New Order era, popular bergonjong roof over the restaurant field carried by the Minangkabau (Minang) overseas.As written by Hans-Dieter Evers and Rudiger Korff in his book Urbanism in Southeast Asia (2002), this bergonjong roof on the house was used only in highlands gadang Minangkabau. Never found in the coastal areas, especially in cities. Padang community located on the coast has its own type of traditional house, made of wood with spacious front porch and the roof straight (not bergonjong).But since the 1980s, government buildings in the center of government of West Sumatra was designed using a roof bergonjong. The investors who often become government partners are also asked to wear bergonjong roof on the building. Appeal on the use bergonjong roof was originally done by the Governor Aaron Zein in the era of the 1970s until the 1980s, with a passion for preserving traditional architecture.Now, almost all elements of urban buildings in Padang, such as government offices, post offices, hotels, and government banks or private, use a roof bergonjong race, except the mosque that almost no one wore bergonjong model.Outside of West Sumatra, bergonjong roof model was popularized by the
Minang people who wander in various cities of Indonesia, especially the open food stalls. In fact, up to foreign countries like Malaysia and Singapore though, the roof bergonjong characterizes desert diner-popular designation for the Minang.Hans-Dieter Evers and Rudiger Korff noted, each of the buildings built by man has a "meaning" and therefore he is a symbol. In this case, the roof bergonjong has become a symbol of the existence or identity of the Minang people. For example, with a glimpse of the roof bergonjong at a diner, people immediately know that it's the restaurant field.However, a question mark when the building joglo appear on government buildings in the outposts outside Java. Is there, it could signal the presence joglo Javanese or at least understand the meaning joglo in the tradition of leadership in Java?Plagiarized or find?Efforts to establish the identity of the Minangkabau roof bergonjong only just actually too simplistic wealth gadang architecture of the house, because the typical home gadang actually not only on its roof.Jacques Dumarçay in his book The House in South East Asia (1987) categorized his house or houses gadang Minangkabau (large) as part of the architecture of Dong Son (Vietnam). The roof of the house is usually composed of five layers or bergonjong limo, each interlocked. The walls were usually carved motif typical flora.Moreover, the space division system is also unique and a representation for the system of matrilineal Minangkabau culture. Gadang house serves as a large family residence and activity center of the blood and the collateral of the matrilineal relatives (mother of the family or elders), both for economic and social activities and cultural activities. Gadang home headed by a tungganai (mamak) and as a condition for the establishment of a village in Minangkabau.While it may succeed to the identity of the Minangkabau in the overseas, roof bergonjong used everywhere it's actually just duplicate the traditional forms into modern buildings. Duplication caused by stagnant realm of transformation from traditional to modern designs.Realm of architecture familiar with the term hybridization, or the incorporation of elements of architectural form-usually from a number of elements of different cultures and eras. Henri Maclaine-Pont is a Dutch architect working in the Netherlands East Indies (now Indonesia) in the first half of the 20th century-the most famous in hybridization efforts in the form of architectural heritage of the archipelago. He combines the shape and construction of Javanese and Balinese architecture with colonial architecture.One of Pont's work is the Hall Institute of Technology Bandung (ITB) in Bandung, which is still the most interesting part of this campus. In this work, Pont did not merely reproduce the roof joglo Javanese or Balinese bale. However, he managed to create buildings that fit comfortably the tropical climate and creating a new image of architecture Indies.
Pont began the project by reviewing building construction system in Java, then filed their own opinions about the construction system according to the values of modern technological. Based on this study explored the possibility of developing Pont Java system construction to accommodate the functions of the new building, the scale of new activities and new production methods.Pont did not escape the criticism. One criticism of him is the model that assessed pengkajiannya rely only on the shape and construction systems, thus ignoring the value of space itself.However, Pont has begun to make traditional architecture as an open text to be reviewed and interpreted in accordance with modern demands and environmental conditions. Of course, we do not want to just cheat on texts that have been there right?
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